researcH

PHD Thesis (2024)

Vocal analogues: A Cultural History of Technological Voice Imitation

Paper: Intersections - Interdisciplinary approaches to opera (June 2023)

Virtuosic without organs? singing voice synthesis and virtuality in shibuya keīchirō’s “The End”’

Article: Cambridge opera journal (2022)

Reconfiguring Voice in The End: Virtuosity, Technological Affordance and the Reversibility of Hatsune Miku in the Intermundane

paper: Royal Musical Association (january 2022)

‘The Misora Hibari Revival Project’: Reconstructing Nostalgia Through NHK and Vocaloid: AI’

paper: theatre and performance research association (presented online, september 2021)

‘The Miku problem: examining Voice through Vocaloid performance in “The End”’